Denmark is from Bugallon, Pangasinan. Since 2010, he has joined more than two dozen group shows and is eager to build up a body of work, under the mentorship of Alfredo Esquillo and Renato Habulan, that would allow him to do a solo exhibit. Art & culture journalist Carlomar Arcangel Daoana explains Denmark’s approach to art as dealing with “social issues through visible dichotomies (the proletariat versus the oligarch) as well as his use of the crown, which symbolizes the deployment—and possibility—of power.”
Residency: May 1 – 15, 2018
Join his ARTStories session on May 13, 2018
